video2zero

the business the art and the science of new media

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"All artists are prepared to suffer for their art, but why are so few prepared to learn to draw?" Banksy

Categories archived here: video production • audio • lighting • post production


Interactive lighting tutorials

By admin • Feb 4th, 2009 • Category: Video production, lighting • Tags: , • 5 comments

rifa2.jpg

10/31/2007

Interactive lighting tutorials from Lowel Lighting - many featuring Lowel’s excellent Rifa soft box.

The advantages of soft lights for are huge. - the advantage of Rifas is convenience: they set up in seconds - pop open like an umbrella - and you can carry 2 or 3 (with stands) under one arm.

But you don’t need to go mad - a small rifa 44 and a reflector or a couple of small fluorescents is often all that’s needed to light an interview. The 44 can also be lamped for 12V.

Ross Lowell is also of course the author of the inspirational lighting tome, “Matters of Light and Depth“.



DSLR video - underwhelmed

By admin • Feb 4th, 2009 • Category: Video production • Tags: , • 5 comments

Nov 11 2008

A month ago I seemed to be almost alone in expressing a distinct lack of excitement over the video capabilities of the new DSLRs from Canon and Sony. Stu Maschwitz nails it:

The D90 and the 5D MarkII can make compelling moving images. But they are not yet cameras that will support your creative development as a filmmaker, growing with you as your skills develop. Did Vincent Laforet want Reverie to feel like a masterfully-lit soap opera? Did Matthew Bennettt want Subway to feel like the wobbly video from a jailbroken iPhone? We are at times seduced by aspects of these demo reels that are perennially absent in our video viewfinders, but we are not seeing the work of a cinematographer in full control of their craft. We’re seeing accidents—some happy, some not. Images borne of a battle with an uncooperative piece of kit. Mario Andretti doing his best with front-wheel drive and an automatic transmission” prolost

Well worth reading the rest of his blog post.

To get an idea of the type of set-up required to use DSLRs for handheld video work check out this clip from Zacuto:


Introducing DSLR Cinematography via Journerdism



New media - old wave

By admin • Apr 17th, 2008 • Category: Video production • Tags: , , • 3 comments

godardstones.jpg

Many aspects of the new media aesthetic are derived from economic and technological circumstance. Smaller cheaper cameras favor hand-held run and gun shooting, no lights, and an emphasis on the creative vision of the cameraman/director, rather than the technical expertise of a team of specialists.

50 years ago those same principles were being advanced by the French new wave as “auteur theory”. A disdain for “learned framings, complicated lighting, polished photography” - promotion of the caméra-stylo: the prescient notion that directors should use cameras as stylishly and spontaneously as writers use pens.

An article on the influence of Truffaut & Godard on Hollywood directors including George Lucas, Francis Ford Coppola and Brian De Palma in last week’s New Yorker.



The Zen of Videojournalism

By peter • Mar 30th, 2009 • Category: Video 2.0, Video production, Videojournalism • Tags: ,

If there were ever a search for the historical prototypes of modern videojournalism then surely Michael Apted’s 7-UP series would figure large. Number 8 should be arriving soon, if the series is still alive.

A brief description from MA of his epiphany with regard to video and objectivity:

“Personally, I think I was deluding myself for the first few films, thinking I was making this big political statement about the English social class system. Then I brought the film to America, somewhat reluctantly; I didn’t think Americans would understand it…

But Americans understood the films very well. Then it occurred to me that maybe what I was doing was something quite different from what I thought I was doing. I was making a much more humanitarian film — I was making something about an experience that’s shared by everyone on the planet, and not particularly just about England. The series is in England, but it’s about something more than living in England, it’s about being alive. That was an epiphany for me, strange as it might seem, and that, in some ways, relaxed me a bit. I wasn’t hammering on about politics and about how awful it is to have grown up in England during those periods anymore, and it kind of relaxed the film a bit, gave it more room to breathe.

All I have to do is show up, not try and preempt what they’re going to say, not try and guide people through it, not try and have them say what I think they should say. I have to try and take myself out of the equation and let them speak.” pbs



Hidden menu in FCP

By peter • Mar 23rd, 2009 • Category: News, Post Production • Tags:

“Just hold down Cmd + Option + Shift and click the Tools menu. You should now see a new menu item called Internal Tools. This is a debug menu used by the developers of FCP, but it actually has some uses for us mere mortals as well.” - kenstone.net
Most useful are features that allow you to customize screen display and monitor various aspects of system/drive performance.